Art Education Department News

In her new double CD “Back to Basics,” the pop diva doesn’t tailor her voice to fit this year’s fashions.

The Nobel Prize winner’s admission of what he did during the war has Germany abuzz.

A bridge goes down as Lincoln Center’s overhaul kicks in.

The Mostly Mozart Festival’s “A Little Night Music” series shows that audiences are tired of being locked into the 8 p.m. concert slot.

Dozens of shelves along the southeastern wall of the quarter-acre Rose Main Reading Room of the New York Public Library stand eerily empty, but please remain calm.

There’s a new top girl on the reality show’s third go-round, but will she be able to fill such large, overdressed, shopaholic shoes?

This hyper-magnified cabaret concert has the heat and dazzle of great balls of fire.

“Tire Tracks” memorializes the work of drivers who use a combination of technique and raw horsepower to create a kind of rural car- and truck-made graffiti.

An Obie Award-winning director and a pioneer of biographical theater, Mr. Sacharow was perhaps best known for his 1967 play “The Concept.”

Though the Chelsea art world will soon lock down for the end of August, there is still time to see one of the best of the many group exhibitions that have crowded the neighborhood this summer.

Now at the Schirn Kunsthalle Frankfurt: Paris and Berlin, in flux in the 19th and early-20th centuries, as captured by the stenographers of a new urban age.

Opening a new gallery, the Met paints a picture of its new season using the borrowed brushes of some heavy-hitting contemporary artists.

With new concerns about carry-on baggage, it has gotten tougher to be a classical musician.

In Fort Greene, a reorganization of development power and a "ninth-inning good idea" for a theater site.

A provocative Neo-Expressionist painter, Julio Galán was Mexico’s best-known young artist in the late 1980’s and 90’s.

Ms. LuPone sang with exciting power and warmth in this production at the Ravinia Festival, and the Chicago Symphony Orchestra played with a clarity that made you take notice.

Festival officials are miffed by a documentary that they say includes a sometimes inaccurate account of the festival’s intertwined relationship with the Nazis.

A new photography exhibit celebrates the Depression-era pools that have cooled off generations of New Yorkers.

Even without the cachet of the Gilmore Artist Award, it was clear from the opening bars of Mozart’s Piano Concerto No. 23 that Ingrid Fliter possessed a remarkable talent.

The new competition has had its luster tarnished by accusations that the process of selecting the contestants has been manipulated.